Horror

Like Vampira, Svengoolie, Elvira and Joe Bob Briggs before him, Stan the Mechanic will be hosting three classic horror movies on the road to Halloween this year, we’ve learned. The fun begins with Scream Bloody Murder on October 7th, followed by Devil Times Five on October 14th, and then finally The Bat on October 21st.
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Anne Rice’s “Interview With the Vampire” is being turned into a new television series over at AMC, with Sam Reid recently cast as Lestat de Lioncourt. That was the role Tom Cruise played in the feature film from the 1990s, with Brad Pitt co-starring as Louis. The role of Louis has been landed by Jacob Anderson (“Game of Thrones”), and
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For those who enjoyed Metal Gear Rising: Revengeance‘s dismemberment and full-on cybernetic swordplay, developer Soleil and publisher 110 Industries have a little something for you. Announced during the Tokyo Game Show is Wanted: Dead, an over-the-shoulder action game for the PlayStation 5, Xbox Series and PC that will have you ripping off cyborg heads while
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While we won’t be seeing Vampire: The Masquerade – Swansong until next year, that’s not stopping publisher Nacon and developer Big Bad Wolf Studio from releasing a new trailer for the game that reveals a new character from the game. In this case, we’re introduced to Emem, a former Jazz diva. One of the three
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Sinister and Doctor Strange duo Scott Derrickson and C. Robert Cargill return to horror with their brand new Blumhouse horror movie The Black Phone, an adaptation of Joe Hill‘s short story. But we’ll have to wait just a smidge longer before we’ll be able to answer their call. The Black Phone was set to release in theaters on January 28, 2022, but it’s
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James Wan is producing a new take on Stephen King‘s vampire story Salem’s Lot for Warner Bros. and New Line, with Gary Dauberman (It, The Nun, Annabelle Comes Home) attached to write the script and also direct the film. THR brings us some new casting news tonight, with Jordan Preston Carter, Nicholas Crovetti and Cade Woodward all signing on. THR reports, “Carter
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Lionsgate is doing something very cool with the Blair Witch brand this October, partnering with fiction creator platform Dorian to help *you* get directly involved with the franchise! The press release explains, “Dorian, the first ever no-code platform that allows independent writers to easily transform their stories into playable immersive games, has partnered with global
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Lionsgate is doing something very cool with the Blair Witch brand this October, partnering with fiction creator platform Dorian to help *you* get directly involved with the franchise! The press release explains, “Dorian, the first ever no-code platform that allows independent writers to easily transform their stories into playable immersive games, has partnered with global
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Amy Holden Jones’ 1982 film The Slumber Party Massacre was a bit of a rarity in the ’80s slasher boom: it was written by a feminist writer (Rita Mae Brown) and told from a female perspective (Jones’). While they were beholden to certain non-feminist genre tropes (half-naked pillow fights and fully naked breasts, just to name a
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In 2013, director Alejandro Hidalgo gave the haunted house a sci-fi twist in his feature debut, The House at the End of Time. His long-awaited follow-up, The Exorcism of God, attempts to shake up the overly familiar exorcism horror subgenre. Hidalgo pays tribute to the granddaddy of them all, The Exorcist, then works to retool the formula through the past
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We’ve found even more tapes and will be bringing them all to Shudder in V/H/S/94, the fourth installment of the Bloody Disgusting-produced horror anthology franchise from Studio71. Fresh off the film’s World Premiere at Fantastic Fest this past weekend, V/H/S/94 will be coming to Shudder for the Halloween season, arriving October 6, 2021! While you wait, check out a gallery of images previewing new
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The opening title card’s preceding text reads “Dario Argento presents” fits in a certain sense; She Will operates within the realm of dreams. It’s a story relayed through potent and mesmerizing imagery over a traditional narrative structure, and women drive it. The connections cease there. She Will offers an intoxicating visual feast, casting a beguiling spell of a slow
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