The Godfather – the iconic trilogy that captured the imaginations of men across generations. A tragic story about a young and idealistic man as he snuffs out his own soul in pursuit of power. As a style blog, we want to focus on one thing: style.
We will be focusing entirely on Part 2. Let’s not waste any more time and delve in.
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| The Look | What He WearsOn screen | What You StealIn 2026 |
|---|---|---|
| Michael — Communion SuitNevada, 1958 | Gray dupioni silk two-button, no vents, white point-collar shirt, black silk tie, light gray tassel loafers over black socks. One wedding band. Nothing else. | Match your loafers to your suit instead of your belt. It breaks the leather-matching rule and reads as taste — but only because everything else he’s wearing is dead plain. |
| Fredo — Communion TuxNevada, 1958 | Orange-and-brown madras shawl-collar jacket with no buttons, black trousers, cummerbund, crooked bow tie. Every piece too big. | Nothing. Fredo is the control group. Shirt cuffs past your jacket cuff and a jacket that hangs straight down will sink any outfit — that’s a tailor problem, not a shopping problem. |
| Michael — Havana SuitCuba, 1958 | Tan and cream glen check, full cut, flat-front high-rise trousers, white knit polo, brown penny loafers, silk day cravat. | The knit polo under an open jacket. Two buttons undone. Leave the cravat in 1958. |
| Don Fanucci — White SuitNew York, 1920 | White-on-white suit and waistcoat, club collar, printed gray tie with a round pin, pocket watch chain, gold pinkie ring, white fedora, black overcoat draped over the shoulders. | The club collar. It’s the one Fanucci detail that survives outside a soundstage — the rest of it is a costume. |
| Vito — First Quality SuitNew York, 1920 | Napped cotton blue-and-navy shirt with a contrast collar, striped waistcoat, gray trousers, brown derby boots, light gray printed tie, brown chesterfield. | The upgrade path. He wore that same shirt when he was broke and built around it — one good piece at a time. That’s the only version of this that works on a real budget. |
| Vito — Revenge SuitSicily, 1923 | Rust-brown pinstripe wool three-button, short wide peak lapels, suppressed waist, waistcoat fully fastened, brown cap-toe boots, brown fedora. | Rust brown. Every guy reaches for navy and charcoal. A warm brown suit does more for most skin tones and nobody else in the room owns one. Most underrated |
| Tom Hagen — Trial SuitWashington, 1959 | Charcoal three-piece with faint pinstripes, two-button jacket, six-button waistcoat, white shirt, black-printed then plain navy silk tie. | The three-piece as armor. When you need to be believed, the waistcoat closes the outfit and keeps your shirt from bunching every time you sit. Most useful |
| Bottom line | Every man in this film dresses for the room he’s in. The two who read the room wrong — Fredo and Fanucci — don’t make it to the credits. | Fit first. One period detail, never four. And never buy the whole costume. |
Costumes designed by Theadora Van Runkle, built by Western Costume Co.
Why 2 and not 1?
The style in part 1 is superb but limited. The film takes place mainly in New York with brief stops in Sicily, California, and Nevada. There is almost no seasonal variety to boot. Part 2, on the other hand, is varied. The story spans Nevada, Miami, Havana, Sicily, and New York. The film covers almost 60 years, giving us unprecedented variety in style.
1. First Communion Suit – Michael Corleone (Al Pacino)
The film opens in 1958 Nevada, where the Corleone family celebrates the first communion of Michael’s son, Anthony. Michael, of course, is the trilogy’s main character.
Celebrations are short-lived as Michael deals with his dysfunctional family, his brother’s incompetence, and a corrupt senator.
Michael’s Gray Silk, Piece By Piece
Costume designer Theadora Van Runkle debuts Michael in a simple yet luxurious look, making one lethal (and he is lethal) combination.
- Gray dupioni silk suit: We see black and white flecks as well as slubbing. The downside to this kind of suit is that it wrinkles easily due to how light the silk is.
- Single-breasted 2-button jacket: The classic jacket at work with notch lapels, a welted breast pocket, and 3-button cuffs. There are no vents, but that was typical of 50s fashion.
- Pleated trousers: They have side pockets, no back pockets, and cuffed bottoms.
- Black leather belt with a round buckle: A dressier but fundamentally casual belt thanks to the buckle.
- White dress shirt: It has pointed collars, barrel cuffs, and a placket with no visible pockets.
- Black silk tie: Simple and gets the job done – no tie pin in sight.
- Light gray leather tassel loafers: Here Michael successfully breaks a style rule by refusing to match his leathers. The loafers match the suit instead while the socks stay black. Click here to check out our core article on loafers.
Despite being quite a powerful man, Michael’s wardrobe is simplistic and limited. The overall look is plain – he doesn’t wear a tie pin nor a watch for added pizzaz. The only visible jewelry is a wedding band on his left ring finger. To be honest, he doesn’t need to be showy to get your attention.
2. First Communion Tux – Fredo Corleone (John Cazale)
Fredo is introduced in the same sequence as Michael in the silk suit. Though Fredo is much older, he’s an idiot. He means well but is incompetent and weak – something that Michael deals with throughout the film.
Where Fredo’s Tux Goes Wrong
Once again, Theadora Van Runkle captures the essence of the character through their style. In Fredo’s case, it is clumsy and stupid.
- Single-breasted jacket: There are no buttons which is unusual. We also see a vibrant Madras checked pattern in orange and brown with accenting white lines. The shoulders are visible padded and he sports shawl lapels. There is no visible breast pocket and the jacket uses standard 3-button cuffs.
- Black trousers: Though difficult to make out, there don’t seem to be any pleats. There are definitely side pockets.
- Black cummerbund: Fredo uses this in place of a belt – typical with black tie.
- White cotton tuxedo shirt: A standard shirt to use with a tuxedo which uses a pleated front, black buttons, and French cuffs along with cufflinks. He also uses a pointed collar.
- Black bow tie: It’s always crooked!
- Small black watch: We can’t discern the model, but it uses a black leather band and a black dial rounded by a silver bezel.
- Silver ring: Worn on his right pinkie.
Fredo contrasts Michael in several ways – one way is the way he dresses. He can’t seem to decide whether it’s a formal or casual occasion. His jacket and dress shirt are oversized. The jacket falls straight down while the shirt sleeves extend well beyond a half-inch from the jacket cuffs. His trousers also flair out. Fredo breaks the rules of style in all the wrong ways.
3. Havana Suit – Michael Corleone (Al Pacino)
Students of history will know that 1950s Havana was a playground for the mob. The Godfather II plays on this and integrates it with the plot. Michael travels there to invest 2 million dollars but is then unsure about the island’s stability.
Here, we get an excellent example of a simple summer style.
Breaking Down The Havana Suit
- Full cut suit: A hybrid of American and Italian style suits. It involves the body with a more comfortable fit like an American business suit and the slightly padded shoulder of an Italian suit.
- Tan and cream glen check: A bolder teal and cream shows an additional Prince of Wales pattern over the glen check.
- Single-breasted jacket: A 2-button front that he almost always wears open. Padded shoulders and roped sleeves with decorative 3-button cuffs. We see a welted breast pocket, roped sleeve heads, and no vents. The notch lapels have no buttonholes. Straight flapped hip pockets.
- Flat front trousers: They feature a high rise and cuffed bottoms. There are both belt loops and suspender buttons sewn on the inside.
- Knit white cotton short-sleeve polo: There is a pocket on the left of his chest and it is worn with the top two buttons open.
- Slim brown leather belt: A classic color with casual suits.
- Brown penny loafers: Worn with tan socks.
- Silk day cravat: It uses tones of bronze, brown, gold.
- Wedding band & gold watch: The watch model is not clear, but it has been speculated to be an 18-karat Omega Constellation.
Designed by Theadora Van Runkle and crafted by Western Costume Co, This look is iconic as it is featured in the movie posters. Michael brings simplicity to the summer. Indeed, the wildest detail is perhaps the cravat which we might consider outdated. Otherwise this is as timeless as casual style gets.
The suit went on auction twice: Once in 2000 and once again in 2014. In the latter, it was expected to go for $12,000-$14,000.
The move worth stealing here isn’t the glen check — it’s the polo underneath it. A knit collar does something a dress shirt can’t: it holds its shape without a tie, so the neckline doesn’t collapse the second you unbutton. That’s why Michael can wear the jacket open all day in Havana heat and still look put together while everyone around him wilts.
Run it yourself with a knit polo in cream, tan, or navy under an unstructured summer jacket, top two buttons open like he wears it. One button open looks timid. Three looks like a cruise ship.
Click here if you want to learn more about mastering summer style.
4. White Suit – Don Fanucci (Gastone Moschin)
Between 1917 and 1920 in NYC, Don Fanucci rules the neighborhood where Vito Corleone (Michael’s father) lives. He ruthlessly extracts a percentage from all businesses less they suffer his wrath. His flawlessly white-on-white suit is his signature look.
Inside Fanucci’s White-On-White
- Black woolen overcoat: We see pinstripes, wide peak lapels, and padded shoulders. There are sloping sleeve heads… but no discernable buttons. He always wears it across his shoulders.
- Single-breasted jacket: It’s all white with notch lapels. Buttons are difficult to discern but it’s likely a 3-button jacket with an American fit. There is a black band on the left lapel as a nod to his nickname, The Black Hand.
- White waistcoat: Six white buttons. We also see a thick pocket watch chain clearly visible across the bottom of the waistcoat.
- White cotton dress shirt: He is sporting a club collar, which was common in the early 20th century.
- Printed gray tie: A subtle pattern is present and adorned with a single, round tie pin.
- White trousers: It’s clearly a straight fit. No visible creases, pleats, or cuffs.
- off-white leather slippers: Unusually low-cut loafers with white socks.
- Gold ring: Worn on the right pinkie.
- White fedora: Worn with a white grosgrain band.
Don Fanucci wears the same suit faithfully until it gets riddled with holes by the young Vito Corleone, who then usurps his title.
Put Fanucci next to Michael and you’ve got the whole lesson in one frame. Fanucci is white-on-white with a gold pinkie ring, a pocket watch chain, a tie pin, and a fedora — a man announcing himself before he opens his mouth. Michael wears a gray suit, a black tie, and a wedding band, and the room still goes quiet.
Both men run their neighborhood. Only one of them has to tell you. If you’re the newest guy in the office, some of Fanucci’s volume gets you noticed. If you already have the job, Michael’s restraint gets you respected. Most gents pick one of these and never stop to figure out which room they’re actually standing in.
5. First Quality Suit – Vito Corleone (Robert De Niro)
The movie switches between Michael and his father Vito in flashbacks so as to contrast the two. Young Vito’s story takes him from a penniless immigrant to becoming the first Godfather. By 1920, he is an influential member of his community who can afford quality clothing. Let’s see if he pulls it off.
Vito’s First Good Suit, Detail By Detail
- Brown wool chesterfield overcoat: Wide, rounded notch lapels. There are no visible buttons – if there are then they are very difficult to make out. There seems to be a very faint stripe pattern on the coat. We see padded shoulders as well. Click here to learn about men’s overcoats.
- Black & white waistcoat: Sepia tones make the colors deceptive, but we surely see dress stripes. It uses five visible black buttons that blend with the color of the waistcoat and a yellow gold pocket watch chain that is clearly visible going off the left side of the waistcoat.
- Napped Cotton light blue & navy dress shirt: The shirt uses a contrasting pointed collar & placket. Two breast pockets slant toward the chest with navy seams. We also see navy barrel cuffs.
- Gray wool trousers: No visible pleats or creases. They seem to be straight-fitting, but a little slimmer compared to the others seen in the film.
- Brown leather dress boots: It is difficult to determine, but they are most likely open-laced derby’s.
- Printed light gray silk tie: The brightest detail on the whole ensemble and where the eyes are drawn.
Interestingly enough, Vito uses the same dress shirt in earlier scenes where he is impoverished. When pairing it with such extravagant new clothes, it marks the character’s transition from poor to wealthy.
6. Revenge Suit – Vito Corleone (Robert De Niro)
In the summer of 1923, Vito returns to his hometown of Corleone, Sicily for two things: Olive oil investments, and revenge.
At the very beginning of the film, Don Ciccio murdered Vito’s father and older brother. His mother was shot in front of him while he escaped. Decades later, now a grown man with money and power, he returns to get even. Once again, Theadora Van Runkle works her magic.
Breaking Down The Revenge Suit
- Rust-brown pinstripe wool suit: Designed personally by Van Runkle, made by Western Costume Co, and tailored specifically for Robert De Niro.
- Single-breasted 3-button jacket. Short, wide peak lapels which were typical of the 1920s-1930s. The waist is suppressed with a horizontal seam going around the jacket level with the central button (De Niro was a size 31 waist at the time). The bottom is cut with squared and closed quarters. It uses single-button cuffs and a welted breast pocket that slants toward the center. We also see slanted pockets at the hips.
- White cotton dress shirt: Pointed collar, frontal placket, and buttoned barrel cuffs.
- Straight-leg trousers: Two-inch cuffs with velcro closure and a hook and eye snap waist.
- Single-breasted waistcoat: All six buttons are fastened.
- Printed tie: It is black with a tie pin.
- Dark brown leather derby cap-toe dress boots: They rise above the ankles when we can actually see them.
- Dark brown wool overcoat: Carried in at the beginning of the scene but never worn. It’s easy to make out the darker satin lining.
- Brown fedora: With a brown grosgrain band. Click here to learn a little more about stylish headwear.
- Golden wedding ring: Worn on the left hand.
Sicilian summers can get into the 80s Fahrenheit, which makes you wonder why he chose a woolen suit and overcoat to wear. Nevertheless, it is a stylish ensemble worthy of avenging one’s family.
Fun fact: This suit also went on auction. It was sold in Calabasas, California on June 30th, 2016 for around $20,000 – $30,000.
7. Trial Suit – Tom Hagen (Robert Duvall)
Tom is an important character through Godfathers 1-2. He is Vito’s consigliere (chief advisor) throughout the first film as well as the family’s top lawyer in both. His wise counsel is gradually ignored by an evermore bloodthirsty Michael.
Nevertheless, he is loyal to a fault and spearheads Michael’s defense. Let’s see if the style matches the spirit.
Tom’s Three-Piece, Detail By Detail
- 3-piece wool suit: Charcoal with faint pinstripes.
- Single-breasted jacket: Two buttons, notch Lapels, and structured shoulders. No hip pockets in sight.
- Waistcoat: There are six visible buttons.
- Plain white dress shirt: Pointed collar and barrel cuffs that extend to about half an inch beyond the sleeve of the jacket.
- Straight fit trousers: No visible pleats or creases, but it is impossible to discern most of the trousers – such as whether it is cuffed or not. They certainly have hip.
- Black silk tie with a brown print: Worn in the first hearing.
- Plain navy silk tie: Worn in the second hearing.
- Silver wedding band: Worn on his left ring finger.
Throughout both movies, Tom embodies the business suit. All his looks are classic and formal. It makes sense considering he eats, breathes, and sleeps law to protect his adopted family.
How To Steal Godfather Style Without Looking Like A Costume
Every guy who watches this film wants to dress like Michael Corleone by Friday. Then he buys a black shirt, a black tie, and a pinstripe suit, and shows up looking like he’s working a themed wedding. Here’s the deal — none of these looks are actually about the period. Strip out the fedoras and the cravats and what’s left is fit and restraint.
Steal the silhouette, not the era. What makes Michael’s gray suit work in 1958 and in 2026 is the same thing: clean shoulders, a jacket that ends where it should, trousers that break once. Van Runkle didn’t dress him in anything loud because she didn’t have to.
Take one period detail at a time. A club collar. A pocket watch chain. Tassel loafers in a shade that matches your suit instead of your belt. One of those reads as taste. Four of them read as a costume.
Buy the fabric, skip the color story. Fanucci’s suit is memorable because it’s white on white on white, and unless you’re running a neighborhood in 1920 you cannot wear that to work. But dupioni silk, cream linen, a rust-brown pinstripe flannel — those are all still on the rack, and the cloth will do more for you than the cut.
And steal Vito’s lesson before you steal his suit. He wore the same napped cotton shirt when he was broke and when he had money. He didn’t replace his wardrobe — he upgraded it one good piece at a time. Take what you already own to a tailor before you buy anything else.
Througouht the Godfather Part II we see a huge variation in styles influenced by profession, climate, and time period. Aside from its rich story and flawless acting, the beauty of this film is that it allows stylish gents to take inspiration from countless sources.
This article was a guest post written by:
Rafael A. Socarrás
What style lessons should any dad teach his son?
Click below to watch the video – Style Expert Breaks Down The Godfather: Part II
The post The Godfather Part II: The Style Behind The Mob appeared first on Real Men Real Style.