Horror

Thanks to a never-ending pandemic, the past two years threw the release slate into a state of flux that still hasn’t let up: constant shifts, postponements, and a rearranging calendar. The one constant, as usual, is that horror thrives no matter the scenario. What that means for 2022 is that while many of the planned
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Between a global pandemic that we’re still in the midst of and the increasing library of titles available for streaming, 2021 has been a strange comeback year for the movies. We are blessed once again with the newest films being (somewhat) safe to watch in a movie theater, yet these only make up a fraction
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2021 hasn’t concluded in a complete return to cinemas, but it’s been a wildly more uplifting year that’s allowed the entertainment industry to finally get back on track. The degree of catch up and cinematic holdovers that have fallen into 2021 have practically spoiled horror fans with an overload of highly anticipated content like Malignant,
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2021 hasn’t concluded in a complete return to cinemas, but it’s been a wildly more uplifting year that’s allowed the entertainment industry to finally get back on track. The degree of catch up and cinematic holdovers that have fallen into 2021 have practically spoiled horror fans with an overload of highly anticipated content like Malignant,
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We’re not aliens, we’re discontent. For the final installment of this season’s Randy’s Recs, which finds the Halloweenies dissecting a film that inspired the Scream franchise, the gang heads to Ohio. No, not Springwood, but the small town of Herrington, where young Midwestern teens are having close encounters with the third kind. The only way
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Year two of an ongoing pandemic made for another fascinating year in horror. Last year’s delayed theatrical titles finally saw release in 2021, many of which experimented with day-and-date release strategies. Streaming services and VOD markets continued to bring an insane selection, and more film festivals joined the virtual space. All of which felt like
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The Silent Night, Deadly Night franchise is one of horror’s strangest and boldest. It is wildly uneven in tone and quality, whiplashing between deadly serious and high camp, dizzying heights and the lowest depths often within the same movie. But from its notorious original to its bonkers direct-to-video finale, the series is without a doubt
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Horrors Elsewhere is a recurring column that spotlights a variety of movies from all around the globe, particularly those not from the United States. Fears may not be universal, but one thing is for sure — a scream is understood, always and everywhere. Something wicked has come to Bailey Downs this winter. Contrasting the annual,
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Widely known as a deeply maligned production, 1996’s Hellraiser: Bloodline was the last theatrical feature in the Clive Barker-originated franchise, and the last to boast its creator’s input, before the ensuing sequels went the direct-to-video route with a number of low budget follow-ups which often suffered from diminishing returns. For years, fans have wished for
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When Wes Craven’s Scream was released wide in theaters on December 20, 1996, small opening weekend numbers pointed to a slasher movie audiences weren’t interested in, especially not at Christmas. Then a rare thing happened; its numbers only got more substantial with each passing week. Twenty-five years and a full-blown franchise later, it’s hard to imagine Scream as
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Announced during The Game Awards last week, Gun Interactive (Friday the 13th: The Game) is working with Sumo Nottingham on an asymmetrical multiplayer video game based on the original The Texas Chain Saw Massacre, soon headed to PC and current-gen consoles. In addition to being able to play as the original Leatherface (Kane Hodder is playing the horror icon
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Look fear in the eye. Inspired by the viral fan fiction, “Two Sentence Horror Stories” is back with a third season next year, with the new episodes premiering on The CW on Sunday, January 16, 2022. Exclusively check out the key art for Season 3 below! “Two Sentence Horror Stories” is a critically-acclaimed psychological horror anthology
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Humanity creates A.I., relies heavily on A.I. in every aspect of daily living, and becomes horrified when a triggering event causes A.I. to turn on its creators. An apocalyptic war between humans and machines ensues. That basic premise applies to numerous dystopian sci-fi movies over the decades, and Mother/Android emerges as the latest. Despite its familiarity, writer/director Mattson
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Adam Scott, Patricia Arquette, Christopher Walken, and John Turturro star in the new Apple TV+ thriller series “Severance,” directed by Ben Stiller and arriving early next year. This one has a very interesting premise, with the memories of office workers being altered to the point that they literally cannot bring their work home – or
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Guillermo del Toro‘s new movie Nightmare Alley is now available in theaters, offering up a dark Christmas noir just in time for the holidays (our review). If del Toro’s vibrant, colorful take on William Lindsay Gresham’s novel isn’t noir enough for you, a new version is on the way. Searchlight Pictures will give a limited theatrical
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