Book review of The Genius of Judy by Rachelle Bergstein

Book review of The Genius of Judy by Rachelle Bergstein

Books


More than a fan letter to Judy Blume or a hit-by-hit summary of her career, The Genius of Judy: How Judy Blume Rewrote Childhood for All of Us defends a critically engaged thesis: Blume meant so much to so many because she took the ideas of second-wave feminism and recast them as compulsively readable narratives. Blume was, biographer Rachelle Bergstein writes, “the Second Wave’s secret weapon.”

By writing about everything from menstruation (Are You There God? It’s Me, Margaret) to masturbation (Deenie) to teens who have sex without regret (Forever), Blume took growing up seriously, and took the girls’ pleasure seriously, too. She came of age as a writer and woman during the height of the Second Wave and the sexual revolution. Bergstein traces the interlocking of the women’s movement with Blume’s oeuvre, putting her books in conversation with seminal feminist texts like Our Bodies, Ourselves and The Feminine Mystique. Blume’s biography fits right in: Bored and frustrated by her duties as a housewife and mother, writing gave Blume “the zap of something familiar from her girlhood: something electric and joyful. A distant, yet sacred, creative force welled up inside her.”

As a result of Bergstein’s biography, any fan of Judy Blume will gain fresh context on how her body of work amplified and reflected feminist thinking at the time. For instance, thinking about Wifey as Blume’s version of Erica Jong’s feminist classic The Fear of Flying prompted me to reread Wifey—and to enjoy it more. Bergstein excels at this kind of analysis. Her chatty, entertaining summaries of Blume’s books provide important context without getting lost in the weeds.

Blume gathers her laurels today not only for writing honestly about women’s and girls’ experiences, but also for her resistance to book banning. (According to Bergstein, Blume was the most banned author in the 1980s; her books have been fingered in the most recent bans as well.) Those concerned by the current wave of book banning will find Blume’s advocacy for authors and libraries both heartening and instructive. While readers might wish that Blume had participated in The Genius of Judy directly by offering an interview or access to private archives, Bergstein’s groundbreaking book is analytical, smart and accessible, ultimately demonstrating how Blume’s work has contributed to ongoing cultural shifts across multiple generations of women.

 



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